Monday, June 20, 2011

Dearly Departed



Dearly Departed wound up being something of a Long Island supergroup from its outset in 2001.  It wasn't intended that way, but the early presentation of the band couldn't help but lean in that direction with ex members of Inside, Scarab, Tension* and Helen of Troy all being advertised.  The band would outgrow this, and forge ahead with a style that was outside of what most of their contemporary bands were doing.

Mike Mallamo was the former singer of Inside and he had been jamming on and off with Ryan Albrecht.  Jeff Bodzer, guitarist of the recently split Helen of Troy was looking to join something very different from Troy's structured chaos and Mallamo had asked him to play.  Concurrently, Joe Rubino of Tension* was looking to put something together with Danny Lopez whose band Redshift had just broken up.  Joe asked Mike to play and as he was already planning on something with Ryan and Jeff it all came together.

The band went through several different names, playing their first show as Io with RC Driver at Someplace Else in Farmingdale.  I do recall drinking heavily that evening, but I remember enjoying the band's set, remembering the song "The Masquerade" since it sort of recalled Inside, and I liked the name Io. I can't say I remember much else and I don't remember RC Driver's set at all, even though I do remember watching them play.  I was surprised to see the band with all of these guys in it together at the time.

The band would briefly be known as "The Messenger" before settling on Dearly Departed.  They would quickly produce an EP called "The Remains of Marianne Mayweather" that was released on One Day Savior records in 2002.  The band gained a large following certainly drawing from the interest of their previous bands, but they delivered with powerful songs and interesting arrangements that recalled Radiohead, Codeseven, and Cave In's Jupiter.  It was heavy at times, but very atmospheric.

2003 saw the band continue to build their following locally and with tours.  The also began production on a full length album which would become "Believing in Ghosts" with former Inside guitarist-turned producer Jon Florencio.  Around this time, Labels became interested in the band and without getting into too many tangents on the business side of what was happening, things began to get complicated.  The band was having a difficult time being able to finish the album for many reasons and there was a substantial amount of strain being exerted on the entire project.

Finally in January of 2004, the band played a CD release show for "Believing in Ghosts" that was being released by One Day Savior.  The thing was... the CDs actually weren't ready.  A special edition CDr with different packaging was given to everyone that purchased a disc and they were mailed the actual finished CD once it became available.  I have to give ODS credit here, as while that sounds like a crapshoot, they made good and sent CDs out to everyone that provided an address and bought a CD.  The band played a great set highlighted by new songs like "Shadowcasting", "I reserve the right to Scream Bloody Murder" and "Dragging the Lake."

Jeff Bodzer left the band in June of 2004 to move to Florida, and your author was tapped at one point to take his place.  I can't remember if I jammed with the guys 3 or 4 times.  I loved the music the band was doing, but I couldn't tour so that removed me from being a possible replacement.  The band failed to find a replacement at that point for Bodzer, but did play a final show with him in Decemember 29, 2004 at Backstreet Blues in Rockville Centre, NY with Seer and Magnetic North.

In the interim, Mike Mallamo joined the band Novena and Joe Rubino played with Tension*.

The following December with Jeff  Bodzer back in the fold the band played a reunion show on December 30th, 2005 with a reunited Satellite Lost playing their last show, as well as With Every Idle Hour, Nakatomi Plaza, Slingshot Dakaota and Con Amore.  The band decided to continue on as a band, originally planning to record songs such as "And the Horse You Rode In On" and "Juggling Chainsaws (Look Ma No Hands)" that they hadn't had the opportunity to do prior to the breakup.

Ryan Albrecht was soon replaced by Jon Cox, former guitarist for Tension*, From Autumn to Ashes and Earth.ling Massive.  Cox brought a heavier dimension to their music and this lineup recorded the album "What Awaits Us" which was released on their own Black Tide Records in 2007.  This album featured a re-recorded version of "The Masquerade" as well as new songs and recorded versions of some of the older material as well.  It was released in At the album's completion, Cox left the band and again they were left without a second guitar player.  Ryan Luken joined, before being replaced with Derek Sessions.

Mike Mallamo briefly quit the band at some point prior to the release of "What Awaits Us" and the band  continued on as an instrumental band named Dead Birds Don't Sing.  Tensions eventually settled and Mallamo rejoined the band and saw it through to its conclusion.  This time there was not a show that stated the finality of the band.  The members just began to go in different directions and the last show they played was May 25th, 2008 at The Nutty Irishman in Bayshore for a Lukemia benefit with God Fires Man and Revenge of the Dragon.

Joe Rubino went on to form the Jett Black Heart Attack and 1776.  Danny Lopez would form Steady As She Goes.  Both Danny and Joe would back up hip-hop acts with live instrumentation on occasion as well. Mike Mallamo would go on to sing for the short-lived band Mt. Morning.  Jeff Bodzer would briefly play with Steady As She Goes.  I believe that Derek Sessions joined Revenge of the Dragon and is currently in Wiretap Crash as well as doing some solo hip-hop stuff and DJing.

These downloads are for the band's 3 releases:

DEARLY DEPARTED:
The Remains of Marianne Mayweather: http://www.mediafire.com/?3ruru4w92orvnu6

Believing in Ghosts: http://www.mediafire.com/?maikzzg3o6kyja4

What Awaits Us: http://www.mediafire.com/?ssu546i0a9tab3z




Go to the band's myspace here: www.myspace.com/dearlydepartedny
Wikpedia entry: http://en.wikipedia.org/wiki/Dearly_Departed

The Eternity Code

The Eternity Code was started in 2003.  Bill Zanis was a fixture of the NY and LI scenes and was looking to join a band.  Through craigslist and myspace ads, the band assembled members Keith Siskind on vocals, Sean Naughton on Guitar and vocals, Lou Caravana on Guitar, Scott Bendjy on drums and Zanis on Bass.  Even though the majority of the band had more mainstream influences, Zanis steered them in an emo-core direction, and the band often wrote around the basslines.  They began playing on Long Island shortly after this lineup was put together, but Bendjy left soon after this as his job was a interfering with his schedule of being in the band.

Danny Lopez who was in Dearly Departed at the time joined the band and stayed with them through 2004 to the self-titled EP, which is also known as the "Don Fury EP" because... it was recorded by Don Fury.  Danny left the band after the completion of the EP to concentrate on Dearly Departed.

The band would then have a rotating number of drummers, Keith's brother Scott (later of Baltimore, Maryland band Vinny Vegas) filled in on occasion and the position remained in flux until the band recruited Jim Abdale into the fold to take over full time duties. Chad Hudzak (of Shotgun Rally and The Dresden) would play on the 2005  "Destined to Fail" EP,  but Jim Abdale would return to the lineup to see the band through the remainder of their time together in 2007.

"Destined to Fail" showed a heavier development to their newer songs, as well as a rocked out take on Journey's "Separate Ways."  Lou Caravana left the band after the release of the 2nd EP, and the band continued on as a 4 piece until splitting after a last show March 16, 2007.

 The band played a reunion on June 26, 2010 and played a new song called "3rd Prize is You're Fired" and an ongoing reunion seemed to be in the works, but Bill Zanis decided to concentrate on his new band with Danny Lopez called Steady As She Goes.

As mentioned above, Danny Lopez remained with Dearly Departed and later started Steady As She Goes with Bill Zanis.  Jim Abdale plays with The Anywheres.  I'm not sure of what the other members are up to.

This download is for both the self-titled EP and "Destined to Fail".

THE ETERNITY CODE - S/T and "Destined to Fail":
http://www.mediafire.com/?z7zrqqr5hwdfu5s

Other Links on the band:
www.myspace.com/theeternitycode
www.facebook.com/pages/The-Eternity-Code/493998435715
Video of "3rd Prize is you're fired" here: http://loucaravana.blogspot.com/2010/07/eternity-code-recap.html

Friday, June 17, 2011

Redshift

Redshift is a band I unfortunately don't have much information on.  They were comprised of Danos Ettrick on guitar and Ivan Gonzalez on bass (both formerly of post-hardcore band 3 Feet Deep), Danny Lopez on drums (formerly of Scarab) and Kerry Merkle on vocals.   The band was formed in the wake of 3 Feet Deep dissolving and Danny leaving Scarab. The band produced a single 5 song EP in 2000 of complex hardcore with some obvious nods to Quicksand in their music.  It is some really excellent stuff with great playing throughout from everyone involved.

The band didn't last long.  I remember going into a used CD store in Westbury (where that shopping center where Century 21 is now) and Danos and Danny giving me a flyer to a show which I think was at Ground Zero.  I don't recall hearing much after that and I'm not sure what led to the band's end.

After this Danny would go on to play in Dearly Departed and later Steady As She Goes.  Danos would play with Blackbeard, Pillow Theory and Muthawit as well as a host of other bands.  Ivan would join Fiftyfour with Kerry after this, and has played with Lockdown, Crime Lab and 25 ta Life.  Kerry would join Fiftyfour, Big Baby Satan and is now the singer of John Wilkes Booth.

REDSHIFT - S/T:
http://www.mediafire.com/?pi7iiypz8qo5z0x

Scarab / One True Thing

This week will be Danny Lopez appreciation week.  Danny was the drummer for several LI bands, most recently my band Steady As She Goes.  He's moved to Wisconsin for work and I'm celebrating his contributions to the scene and music with a few posts on his former bands.

Scarab was formed by Danny and Milan Milevoy in 1994.  They brought in a then 16 year old, untested singer named Melanie Wills.  The band had a post-punk, indie meets melodic rock sound at the time.  They played with punk and hardcore bands of the time, notably Greensleep and Sleepasaurus, the former of which they would go on to release a split 7" called "A Fine Proposal" on Motherbox Records which contained the songs "The New One" and "Mother".

The band eventually recruited Lee Greenman on bass to replace their original bass player, who would play on a demo featuring songs such as Dearest, Bloom and Yeast.  The last song would also be featured on the Motherbox comp "Diversified Chaos".  Lee would be replaced with Antonio Garcia (aka Antonio Longo). 

They would crossover from the hardcore scene to gather more mainstream interest in 1997 and 1998 by winning Best Local Band in the LI Voice paper and wound up bouncing around with deals from E.S.P management and Gotham entertainment.  Their sound had evolved from their noisier beginnings and was becoming more commercial.  They recorded an album with Gotham, but it never got released due to the label wanting them to sign with them to release a 2nd album with them as well.  

Danny would leave the band in late 1999 and go on to form the band Redshift, and then later join Dearly Departed, play with The Eternity Code and join Steady As She Goes.

Scarab would change their name to One True Thing and eventually released a full length entitled "Finally" in 2002 which included some of the songs from when Danny was in the band.  Singer Melanie Wills is best remembered for her singing contribution on "Short Stories with Tragic Endings" and "Autumn's Monologue" from From Autumn to Ashes. The band went through several lineup changes and included Ray Greene of Farenheit 451 on drums for their full length. Antonio would leave Scarab before the name change to sing for Taking Back Sunday, then join The Prizefighter before coming back to play bass again and then leave again when Mike Pilato from FATA joined them.  I'm not sure when the band finally decided to fold it in.

I don't have much to download here to be honest.  I had the tape of the demo which contained "Dearest", "Bloom" and "Yeast" (and possibly "Struggle" as well) given to me by Lee many years ago.  I probably threw the tape out.  I'll be perfectly candid and say that Melanie was never particularly nice to me and certainly colored my judgment on this band and still does to this day.  I'd say more, but Mom always said if you don't have something nice to say, don't say anything at all.  My wife had the CD demo of One True Thing that preceeded "Finally" and I can say with certainty I chucked that out and didn't bother converting it to MP3.  So you guys are on your own here.  If anyone has it, let me know and I'll post it up.

What I can offer is 3 tracks of Scarab - one culled from a live at the Pickle Patch comp which is untitled, a cover of "25 Green" from a Descendants tribute and "Bookmark" from Compilation Shmompliation.  I've also included the One True Thing album "Finally" as a download as well.  The versions of Dearest and Bloom are different than the originals done with Dan, but for completeness I'm including this if you were into the band at either stage of their existence.

The Motherbox split with Greensleep looks to still be available though from Merch direct here: http://www.merchdirect.com/MotherboxRecords/GreensleepScarab?artist=1131

SCARAB - Comp Tracks:
http://www.mediafire.com/?6m86w8lv2ie0vbq
(Link Fixed with additional song)


Here is Scarab's website from what looks to be 1997:
http://www.hardcorewebsite.net/scarab.htm

Friday, May 27, 2011

Thought & Memory

I had intended to post this up... maybe 4 or 5 months ago, but I've been slacking.  Sorry.

Thought & Memory are a currently active (as of 2011) instrumental band, that does have a bit of an influence of both the heavier and more introspective aspects of Mogwai, as well as the sludginess of Sleep.  The band is made up of Conor Hickey on Guitar, Scott Brown on Guitar, Dave Friedreich on Bass and Mike Hegarty on Drums.  The band has two releases out so far; a CD EP called "Time" and a two-song Tape called "Tape"

I'm not sure what the recent attraction to tapes is.  I don't get it.  Does anyone still have a tape deck in their car?

Anyway, the band is awesome.  Conor has also served as guitarist briefly for Wiretap Crash, and still is the guitarist for Deep Pockets while Dave plays guitar in the ska punk band TheNix86 and plays bass for Censors.

I'm adding a post-script here.  The band just broke up during the first week of June 2011.

Check out the band's stuff here:

THOUGHT & MEMORY:
Time/Tape: http://www.mediafire.com/?kg4mc3cn8v2fct2


MORE LINKS ON THE BAND:
www.facebook.com/pages/Thought-Memory/84341798906
www.myspace.com/thoughtandmemorymusic
thoughtandmemory.bandcamp.com/

3 Ton Bridge

I know virtually nothing about 3 Ton Bridge, other than John Stendrini later of Charles Demar, Federale and Rope was in the band.  They did a Jawbreaker type of punk that according to John "went over like a lead balloon during the height of the LIHC days." 

This is for the only release of the band that I was able to dig up.  It's a split 7" from 1994 with a band called Birthrite, who I don't think were from LI.

3 Ton Bridge/Birthrite 7" Split - http://www.mediafire.com/?5l1l2qblxrc1znt

Thursday, April 28, 2011

WCF

WCF was a band from Babylon formed around 1997 by Mike Longo and Brian Funk.  They were an interesting and very melodic band, and they had this crossover thing happening inasmuch as they played with any bands, on any shows... and never really seemed to out of place.  Their music was kind of pop, kind of indie, so they could fit in on Punk shows, Ska shows, emo shows and shows with the poppy sort of thing that would be going on at Mulcahey's or The Downtown.  The band always seemed kind of aloof to it and always just seemed pretty happy just to be playing.

They formed while the members were all in high school and quickly started churning out melodic tunes.  To this day, I don't know what the name WCF means.  I've been told it was an inside joke which really isn't worth repeating, so it shall remain a mystery to the universe. The band included Longo and Funk as well as Tom Gambino on guitar, Dave Ferraro on bass and Dan Lazerek on drums.  I'm pretty sure that Tim Ruggeri from ASOB and Channel 59 and Paulie Wozniak from Mad Circle also both were drumming at some point.  They were usually compared to Weezer, which the music only beared a very mild association with due to both bands being poppy and melodic.  They definitely could have fit in and played more shows with the emo bands of the time, but as I mentioned they just seemed kind of detached.  Or high.  It certainly could have been the latter!

I only saw the band a handful of times.  I think at some church in Babylon and The Rock Lobster in Glen Head.  I remember playing a show with them at Ground Zero and really being blown away by how well they used 3 guitar players and how good they sounded. 

Years later, I was playing a show at Mr. Beery's and the sound guy there gave me the 'What's Up?' nod as if we knew one another.  He did look familiar but I couldn't place him immediately.  A few months go by and while I'm doing this blog, my bassist Bill suggests the band My Summer to play with us at a show and mentions that I may know the singer who also is the sound guy at Beery's.  I checked the stuff out on their bandcamp site (and it is great, by the way) and I realize I know the guy. The singer is Mike Longo. 


WCF broke up in 2000 and I'm not sure what happened to all of the members.  Brian Funk and Dave Ferraro formed Ace Green and and are currently in Project Nairb.  Mike Longo did a lot of solo recordings, and as mentioned formed My Summer in 2005 with Joe Lambiaso from Bookstore.

I had mentioned to Mike that I was doing this blog and I had none of WCF's music and remembered it pretty fondly.  He was glad to help out so, thanks go to Mike for getting me WCF's Who's Listening and their 2000 demos as well.  Enjoy it.

WCF - "Who's Listening" and "WCF 2000"
http://www.mediafire.com/?4h40403zkri4wer

Here is the band's myspace: www.myspace.com/wcf

Saturday, April 23, 2011

48 in the Basement

48 in the basement was a punk band from Huntington that formed in 1996 by childhood friends Paul Laino and Mike Koscik. They added members Jeremy D'Amico and Matty Lupinacci which completed the original lineup.  They played a fun style of punk clearly influences by Fat Wreck and Asian Man records bands.  The band though had undeniable hooks and fun lyrics which made them incredibly memortable.

Over the years the band did go through a number of lineup changes. Through the 7 years that the band was in existence they apparently were often  banned by the venues in which they played, due mostly to the antics of lead singer Mike Koscik. They often played with bands such as WCF, Sprout, and Channel 59. A few months after their second US tour the band called it quits. They played a reunion show with the original members in 2004 at Cedar Beach in Rocky Point, NY and later in 2010 at the Broadway Bar in Amityville..

To be honest, 48 in the Basement is a band I only have rudimentary knowledge of.  My first exposure to them wasn't even live or a recording - they had done the theme song for a local cable access show called Slacker TV which I randomly stumbled one day on Cable.  I don't know if the song was kept as the theme song for the entirety of the show's run (from 1997 to 2004), but it was there for all of the episodes I had caught.  I saw the band perform 3 times I think, once at Hofstra, once at the Rock Lobster in Glen Head and once at a bowling alley... which one I couldn't tell you.

Many thanks to Paul Laino, guitarist for the band who has went on to become a composer and provided these tracks.  This includes their tracks from their demo "She's Not Feeling Well", their tracks from the "Young N Abrasive"  split with the Microwave Orphans, the tracks from the "Hurry Up and Wait" split with the Backup Plan, the self titled final EP and unreleased tracks as well.


48 IN THE BASEMENT - Discography:
http://www.mediafire.com/?mssw8r2f37olsvq


Go here for the band's myspace: http://www.myspace.com/48inthebasement
Links to video footage from their last reunion in 2010 is here: http://dragonmare.com/wyrmlog/?tag=48-in-the-basement
Link to the Slack Pack/Slacker TV site here:  http://www.theslackpack.com

Come Down

I feel that I need to do this entry.  In part because I said I would in response to the post that Mike put up on the Here On This Island Blog, and because Come Down were a band that I was friends with and wrote some incredible music.  Unfortunately, I feel that my preparation for the task is lacking, and that Come Down's bassists/keyboardist will call me out on any and every  inconsistent detail, my grammar, my manhood and who knows what else.  Nevertheless, I will give it a shot.

Come Down grew out of the ashes of In Transit in 2000.  Mark Pernice and Scott Altmann were both guitarists for that band and wanted to distance themselves from that band's post-hardcore style.  They were introduced to drummer Nicole Kieper, who had recently left On the Might of Princes.  Nicole brought in Tom Mallon, a friend and co-worker from their CMJ jobs and they pursued a sound that was distinctly shoe-gaze and atmospheric with influences like Curve, My Bloody Valentine and Verve evident.  I believe that their first show was with The Cotton Weary at a place in Merrick that I can't remember for the life of me.  I think it was the Courthouse, but we always referred to it as "Dog on A Barstool" since there happened to be a fairly mangy looking mongrel sitting at the bar and looking none-to-pleased to be there every time we played the venue.  In any case, it is now is home to a Subway instead.

Needless to say, theirs was not the type of music that the scene was accustomed to and they were greeted by often cold responses on Long Island.  One listen though to the band's first effort, the EP "Sender" will have you scratching your head as there is certainly more than enough rock to go around and live they had a undeniable energy thanks to Nicole absolutely murdering the drums.

They followed up Sender shortly afterwards with another 4 Song Ep on a mini-disc called "Whose Side Are You on Anyway?", which featured the eponymous tune which became something of the band's signature song.  This EP so the songs get a bit more intricate songs and featured continually improving singing from Mark.  They followed this with the "Happy Hunting" EP which they did a limited release of.

They were offered a week-long tour of the UK, which they did and they released a live set on their website which showed the range and depth of the new stuff they were writing such as the partially acoustic "You Are Not A Song."

An influx of different factors made the band decide to call it quits in 2004.  Scott had a child on the way, Tom planned to move to Philadelphia to live with his fiancĂ©, and Nicole was in a relationship with Keith Childrey (who she would eventually marry) from a band from Tennessee called Imaginary Baseball League.  By this point they had sworn off playing on Long Island and played a final set at Pianos in NYC.  The final set had a few technical difficulties, one which saw the usually low-key Altmann fight back against a non-functioning wah pedal by tossing it off the stage.  Other than that, it was a great set that I was glad to be there to see.

The band would record a song via file transfer after this show that surfaced as "Strange Places" on their myspace.  There were more tracks intended that were not completed.  I have included several of the tracks from the unreleased album as there is some really fantastic stuff.  The playing on the tracks is top notch but  there is the unfortunate lack of vocals on it. I freely admit that I think I've ripped off Scott's riffs a few times, and I think I recently cribbed something from "How I Got There."

Tom Mallon went on to join Sleep Dept., Scott and Mark both concentrated on their art careers but have recently began a new project called No Yes No which feature both Tom and Nicole's playing.  Nicole moved to Tennessee and currently is better known as Nicole Childrey.  She has played in several different projects including Sleeptalker, Cassino, Destry, Brendon Benson, and more recently with The Mynabirds, Aaron Robinson and Field Days.


Many thanks to Scott Altmann and Tom Mallon for providing some of the missing pieces for this post.

Here are the tracks.

COME DOWN - Sender EP/Whose Side Are You On Anyway? EP/Happy Hunting EP/Strange Places: http://www.mediafire.com/?1h9647p0nx9mngy

COME DOWN - Live in London/More Live Tracks/Unfinished Album Tracks: http://www.mediafire.com/?0sclt3jj090ndpn

Here is the band's myspace: http://www.myspace.com/comedown

Friday, January 28, 2011

It Certainly Was A Grand Piano Compilation

This next comp is kind of an oddball choice.  I also thought I had lost or given away my copy until realizing I had ripped it to MP3 - but instead of the artists coming up individually they all are filed under the album title.  Note to labels everywhere - don't do that.  That's really annoying.

This comp is made up of several Long Island bands, but also contains a bunch of Jersey bands and who knows what else.  It was kind of interesting that there were a couple a fairly big names at the time like Piebald, The Anniversary and A New Found Glory who contributed to the comp.  From the LI side of things you get indie rock from Knox Overstreet and OTMOP, good pop punk from 48 in the Basement, Whoopie Cushion and Fair Warning and the wacky wackiness of Space Robot Scientists.  I think Lark was an LI band as well. 

I don't think that Abominable Records released much else besides this comp and the Knox Overstreet 7".  For some reason I thought that there may have been a Flight of the Navigator or HelicopterEjectionSeat release as well.  I clearly remember buying this comp, mainly for the Knox Overstreet song, from Nick who ran Abominable at a show I set up that had With Every Idle Hour, The Cotton Weary, Radio 4, The Waiting Process, Breaking Pangaea and Knox Overstreet.  I recall Nick wearing a Nintendo Power Glove the entire time for reasons unbeknownst to me.

You can still purchase copies of this from Rok Lok's distro here: http://www.roklokrecords.com/distroitems.php?category=cd

Tracklisting:
1 Mr. Miyamoto -Enemy Quaid
2 Piebald -If Marcus Garvey Dies, Then Marcus Garvey Lives
3. Fair Warning -Sometimes 
4. A New Found Glory -Third And Long 
5. Knox Overstreet -I Shot The Clerk 
6. Hometown Hero -Charlie 
7. On The Might Of Princes -As Long As She Doesn't Smoke 
8. Keepsake -Sweet White Lies
9. Mr. Miyamoto -Why Did You Paint My Ass Blue 
10. Cooter -Missing The Innocence 
11. Whoopie Cushion -Emilie
12. Lark -We're No Miracle 
13. Saturday Supercade -Long Gone 
14. Space Robot Scientists -My Control 
15. Verdicts -No One Cares 
16. River City High -Anybody, Anywhere 
17. Life Of Riley -Fuck Your Politics
18. The Anniversary -Low Tide And Hospital Bed 
19. Fletcher -My Least Favorite Mistake
20. Good Clean Fun -On The Streets
21. 48 In The Basement -Carol! "Carol" Carol?
22. Penfold -I'll Take You Everywhere

It Certainly Was Grand Piano Compilation
Download: http://www.mediafire.com/?6zxwbq6jfadah9g